A Cut Above: The Unorthodox Gem Cutters Challenging the Status Quo

May 6, 2021

By Katerina Perez

9 min read

The modern round brilliant cut is undoubtedly beautiful, but since its inception in the early 20th century it’s become a jewellery mainstay – elegant and unchanging. Look a little deeper though and you’ll discover some innovative gem cutters who are unrestrained by tradition and developing unique ways of shaping facets to create patterns, texture, depth and even curves. Here are six masterful gem cutters transforming the landscape and diversifying away from the round brilliant into something far more exciting.

Viktor Tuzlukov @vtuzlukov

Recognised as one of the best gem-cutters in the world, Victor Tuzlukov had a varied career before training at the Gemological Institute of America, honing his gem-cutting skills and winning countless international awards. Tuzlukov starts with a spark of inspiration, before committing his idea into a diagram which forms the basis of a future gem. Cutting a round diamond from synthetic rough material for his students may take under two hours but it’s a different story when he’s employing his own creative style. He says: “When I cut ‘Fragility of the Eternal,’ which was included in the Guinness World Records Book as the largest faceted spodumene with 3,051 carats and 914 facets, I spent more than three months cutting the gem.” Similarly, his ‘The Initiation’ gem for His Holiness Dalai Lama XIV was planned for six months are required two weeks of dedicated cutting.

Viktor Tuzlukov 'From the Emptiness' Brazilian fire citrine of 187 carats from the "World Heritage" collection, inspired by Chinese culture. Photo by Dmitry Stolyarevich

Viktor Tuzlukov 'From the Emptiness' Brazilian fire citrine of 187 carats from the "World Heritage" collection, inspired by Chinese culture. Photo by Dmitry Stolyarevich

An 88.12 carat cubic zirconia cut by Viktor Tuzlukov

An 88.12 carat cubic zirconia cut by Viktor Tuzlukov

"Fragility of the Eternal" 3,053 carat kunzite gemstone with 914 facets from the "World Heritage" collection by Viktor Tuzlukov

"Fragility of the Eternal" 3,053 carat kunzite gemstone with 914 facets from the "World Heritage" collection by Viktor Tuzlukov

Viktor Tuzlukov 'The Winner' scapolite gemstone of 68 carats from the "Philosophical Stone" collection now exhibited at the Luxembourg Natural History Museum. Photo by Dmitry Stolyarevuch

Viktor Tuzlukov 'The Winner' scapolite gemstone of 68 carats from the "Philosophical Stone" collection now exhibited at the Luxembourg Natural History Museum. Photo by Dmitry Stolyarevuch

Rubeus Lion and the Moonlight necklace with a golden hessonite garnet centre stone custom-cut by Victor Tuzlukov

Rubeus Lion and the Moonlight necklace with a golden hessonite garnet centre stone custom-cut by Victor Tuzlukov

Viktor Tuzlukov "Mystery of Universe" 321 carat topaz with 588 facets from the "Philosophical Stone" collection

Viktor Tuzlukov "Mystery of Universe" 321 carat topaz with 588 facets from the "Philosophical Stone" collection

The "Great in a Tiny" 160.94 carat topaz with 722 facets from the "World Heritage" collection by Viktor Tuzlukov

The "Great in a Tiny" 160.94 carat topaz with 722 facets from the "World Heritage" collection by Viktor Tuzlukov

A 232.37 carat topaz cut by Viktor Tuzlukov

A 232.37 carat topaz cut by Viktor Tuzlukov

Master gem cutter Viktor Tuzlukov

Master gem cutter Viktor Tuzlukov

Atelier Munsteiner @ateliermunsteiner

Based in the picturesque surroundings of Stipshausen, Germany, Atelier Munsteiner is a gem cutting icon and unique jewellery advocate, led by Tom Munsteiner. His creations have an architectural and geometric flourish that foster an inner landscape, like a city skyline trapped in stasis inside aquamarine, amethyst, rock crystal or tourmaline. “Every new design and every new stone I work with is a challenge of its own for me,” Munsteiner says. “I see the rough gemstone as my canvas: each stone is different and, depending on the colour and size, they set certain borders for me. But within these borders, I can freely shape the gems to a beautiful new form. It’s like a discussion with the gem, to the find the ideal design for it.” Many of these cut gems end up in Atelier Munsteiner jewellery, which has a similarly architectural aesthetic that offers the stone its chance to shine.

VMAR Constellation pendant with 38.50 carat green beryl cut by Atelier Munsteiner and 3.20 carats of accenting diamonds in titanium on a white gold chain

VMAR Constellation pendant with 38.50 carat green beryl cut by Atelier Munsteiner and 3.20 carats of accenting diamonds in titanium on a white gold chain

 An aquamarine cut by Atelier Munsteiner

An aquamarine cut by Atelier Munsteiner

 A tourmaline necklace in gold by Tom Munsteiner of Atelier Munsteiner

A tourmaline necklace in gold by Tom Munsteiner of Atelier Munsteiner

 A tourmaline and brilliant-cut diamond ring in gold by Atelier Munsteiner

A tourmaline and brilliant-cut diamond ring in gold by Atelier Munsteiner

 Hexagonal cut citrine and gold earrings by Atelier Munsteiner

Hexagonal cut citrine and gold earrings by Atelier Munsteiner

 An aquamarine cut with bubble-like internal shapes by Atelier Munsteiner

An aquamarine cut with bubble-like internal shapes by Atelier Munsteiner

 A tourmaline bracelet design by Atelier Munsteiner

A tourmaline bracelet design by Atelier Munsteiner

 Atelier Munsteiner 'Ritmo' ring with a cut tourmaline set in platinum

Atelier Munsteiner 'Ritmo' ring with a cut tourmaline set in platinum

 Pink tourmaline cut by Atelier Munsteiner

Pink tourmaline cut by Atelier Munsteiner

Naomi Sarna @naomisarnadesigns

Naomi Sarna’s gemstone creations blur the lines between cutting and carving, resulting in organic shapes that break the geometric conventions of modern gems. As a classically trained sculptor, Sarna forgoes straight lines in favour of sinuous, almost water-like waves that make solid materials look like they are in motion. She says: “Because I understand how light moves in a faceted stone, I can encourage the light to move the way I want it in a carved stone. When I get to an edge, I move the light in a particular way to emphasize the return of colour and light. Usually, I carve the back of the piece to intersect with the front. I’m not just carving the shape; I’m carving the light. And what you see is an illusion. It doesn’t really exist on any surface of the carving. It’s an interplay of light.” Sarna’s River Wind Topaz is the perfect example of her signature style and, even though there are differences between carving and cutting, her pieces reflect a desire to break the boundaries of gemstones and how they are perceived – something shared by her fellow artisans in this article.

Carved gemstones by bNaomi Sarna

Carved gemstones by bNaomi Sarna

 Naomi Sarna ‘Fire Empress’ with a 108 carat Mexican fire opal, multi-coloured diamonds, sapphires and amethysts with a royal blue lapis lazuli necklace, accented with white gold spheres and diamond rondels

Naomi Sarna ‘Fire Empress’ with a 108 carat Mexican fire opal, multi-coloured diamonds, sapphires and amethysts with a royal blue lapis lazuli necklace, accented with white gold spheres and diamond rondels

 Naomi Sarna Iris carving with a 174 carat ametrine in a bronze stand

Naomi Sarna Iris carving with a 174 carat ametrine in a bronze stand

 Hand-carved 1,975 carat rutilated blue topaz sculpture on a sterling silver base by Naomi Sarna

Hand-carved 1,975 carat rutilated blue topaz sculpture on a sterling silver base by Naomi Sarna

 Master gem sculptor and carver, Naomi Sarna

Master gem sculptor and carver, Naomi Sarna

 Naomi Sarna Angel Wing brooch with an unheated 91.64 carat aquamarine, white diamond and 18k white gold

Naomi Sarna Angel Wing brooch with an unheated 91.64 carat aquamarine, white diamond and 18k white gold

 Naomi Sarna ‘Solar Flare’ ring with a hand-carved 58-carat citrine surrounded by pink sapphires and set in 18k yellow gold

Naomi Sarna ‘Solar Flare’ ring with a hand-carved 58-carat citrine surrounded by pink sapphires and set in 18k yellow gold

 Paisley-inspired 105 carat citrine hand-carved by Naomi Sarna

Paisley-inspired 105 carat citrine hand-carved by Naomi Sarna

 River Wind sculpture by Naomi Sarna with a 735 carat, gem-quality blue topaz on a sterling silver base

River Wind sculpture by Naomi Sarna with a 735 carat, gem-quality blue topaz on a sterling silver base

Top Notch Faceting @topnotchfaceting

San Francisco-based gem cutter, Jean-Noel Soni, aka Top Notch Faceting, is inspiring not only for his faceted gemstone creations, but also because he is largely self-taught. His interest began with antique jewellery, which his mother collected, and soon morphed into gemstone cutting after a positive experience at a cabochon cutting class at San Francisco’s Randall Museum. After he’d mastered this skill, Soni purchased some old books and started buying the equipment he’d need to create his own faceted gems. “For inspiration, I purposefully ignore other known gemstone proportions and jewellery design and instead look towards other art forms for ideas. For example, I really enjoy paintings and artists from the early 1800s through to the early 1900s,” he says. “On average, depending on the species of crystal and its size, the process can take me between six and 18 hours. This doesn’t count the countless hours of sourcing each stone, which is another hugely important part of the process.

A selection of gemstones cut by Jean-Noel Soni of Top Notch Faceting

A selection of gemstones cut by Jean-Noel Soni of Top Notch Faceting

 A vibrant green gemstone cut and polished by Jean-Noel Soni of Top Notch Faceting

A vibrant green gemstone cut and polished by Jean-Noel Soni of Top Notch Faceting

 A finished gemstone creation by Jean-Noel Soni of Top Notch Faceting

A finished gemstone creation by Jean-Noel Soni of Top Notch Faceting

 A small cluster of gemstones on the desk of Jean-Noel Soni of Top Notch Faceting

A small cluster of gemstones on the desk of Jean-Noel Soni of Top Notch Faceting

 Rough gemstones ready for cutting by Jean-Noel Soni of Top Notch Faceting

Rough gemstones ready for cutting by Jean-Noel Soni of Top Notch Faceting

 Gemstones at various stages of the cutting process in the hand of Jean-Noel Soni of Top Notch Faceting

Gemstones at various stages of the cutting process in the hand of Jean-Noel Soni of Top Notch Faceting

Fredh Jhones @fredhjhones

It is interesting how so many gem cutters never imagined one day their profession would be to enhance what mother nature created so beautifully. “I learned to cut gems with my father-in-law when I was unemployed in 2014 and needed money to support my family,” says lapidarist, Fredh Jhones. “I was given an opportunity to learn, which I did with utmost dedication, love and joy and soon I realised that I had good hands to create unusual cuts.” Fredh turns gems into miniature art object decorated with rather complex patterns, dictated by the stones themselves (it all depends on the shape and ‘imperfections’ of the rough material). He works mostly with quartz and his signature technique is inlaying one stone into another to create astonishing visual effects.

Gemstones set within cut gemstones by Fredh Jhones

Gemstones set within cut gemstones by Fredh Jhones

 Amethyst cut by Fredh Jhones

Amethyst cut by Fredh Jhones

 Fredh Jhones learned to cut gemstones like this amethyst with his father-in-law

Fredh Jhones learned to cut gemstones like this amethyst with his father-in-law

 London topaz set with a pink tourmaline with a total weight of 17.73 carats by Fredh Jhones

London topaz set with a pink tourmaline with a total weight of 17.73 carats by Fredh Jhones

 Carved fire opal set with a pink tourmaline for a total weight of 9.41 carats by Fredh Jhones

Carved fire opal set with a pink tourmaline for a total weight of 9.41 carats by Fredh Jhones

 A matching pair of custom-cut blue gemstones by Fredh Jhones

A matching pair of custom-cut blue gemstones by Fredh Jhones

 Crystal set with a blue topaz centre stone with a total weight of 27.34 carats by Fredh Jhones

Crystal set with a blue topaz centre stone with a total weight of 27.34 carats by Fredh Jhones

 Crystal set with faceted rubellite with a total weight of 46.31 carats by Fredh Jhones

Crystal set with faceted rubellite with a total weight of 46.31 carats by Fredh Jhones

The commerciality of gems means we’re often presented with formulaic stones that prescribe to certain proportions and facet patterns. By stepping back from the status quo and observing gemstones as colourful blank canvases, this group of esteemed gem cutters are redefining what it means to cut and polish a stone into something beautiful.

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