Avakian Jewellery: A Fusion of Western Design with a Luxuriant Eastern Style

November 8, 2016

By Simon Martner

3 min read

In three years’ time the Swiss brand Avakian will celebrate a landmark date – its fiftieth anniversary. Its jewellery enjoys popularity throughout the world both amongst jewellery collectors, Royalty, business leaders as well as stars of show business, on a par with the renowned Jewellery Houses, whose history already spans several centuries. So what is Avakian’s secret? To find an answer to this question I set off for Geneva…

After having arrived in the town which is the centre of the jewellery trade in Switzerland, I made my way to the Avakian boutique on Rue du Rhone. There I was welcomed by Haig Avakian – the son of the brand’s founder, Edmond Avakian, who, since childhood, had been in contact with amazing jewellery. It is then that he first developed an interest in collecting coloured stones of unusual form and this interest remains to this day making precious gems a signature element of jewellery created by Avakian.

Katerina Perez wearing Avakian high jewellery necklace and earrings and a ring with sapphires, emeralds and diamonds

Katerina Perez wearing Avakian high jewellery necklace and earrings and a ring with sapphires, emeralds and diamonds

Born in Bulgaria, Edmond Avakian and his family immigrated to Lebanon. However, the young man chose a different country for his studies and went to the USA where he completed degrees simultaneously in three fields: civil engineering, financial management with an MBA from the University of California at Berkeley, and gemmological studies with a degree from the GIA.  In 1975 he returned to Lebanon and became head of the family business which was founded in 1969. Edmond not only widened the jewellery production and won exclusive distribution rights from leading Swiss watch brands, but also began to create his own jewellery collections.

The design of jewellery is always a reflection of its creator: their taste, worldview and perception. This is certainly true in the case of jewellery that bears the name Avakian. Edmond himself remarkably combines a creative spirit with business acumen and his jewellery consists of ultramodern western design with a luxuriant eastern style. The Western world had the opportunity to evaluate the end result in 1984 when Edmond moved the company headquarters to Geneva and opened the brand’s first showroom within a year. Thirty two years have passed since that moment and the brand has opened showrooms in Moscow, New York, London (currently relocating) and Cannes, with a couple of new locations to be announced soon. It shouldn’t come as surprise that the jewellery house has quite a “star-studded” list of clients including Catherine Deneuve, Madonna, John Travolta, Susan Sarandon, Irina Shayk and Michelle Rodriguez  to name a few.

Avakian Riviera pendant and a ring with pink and yellow sapphires

Avakian Riviera pendant and a ring with pink and yellow sapphires

Avakian doesn’t follow fashion, it sets it. Thanks to the creative drive of Edmond and his son Haig, who joined the company in 2002, a considerable number of successful collections and spectacular pieces have been launched under the Avakian name. One of the most obvious examples is the unforgettable jewellery piece – a spectacular necklace in a form of a scarf made out of braids of 240 carats of emerald beads and 190 carats of sapphire beads. The central part of the piece is decorated with a pave of diamonds, 120-carat cabochon-cut emerald and a beautiful oval sapphire.

I saw a fascinating play of colours and form in this necklace and as if reading my thoughts Haig explained the chosen style: “We like to apply cutting edge geometric design to a lot of our high jewellery. We play with bold combination of colours and accentuate pieces with unusual shaped stones”. This is very true – in the Avakian collections you will come across stones of practically any cuts, including ingenious elongated oval and kite-shaped diamonds.

Avakian rings from Cache collection with emeralds, sapphires, rubies, black and colourless diamonds

Avakian rings from Cache collection with emeralds, sapphires, rubies, black and colourless diamonds

My attention was caught by the Riviera collection, consisting of long elegant earrings, cocktail rings and sautoirs. The highlight of the jewellery pieces is a decorate element in the form of a bead, which is either encrusted with precious stones, or made of rare types of peals. It decorates the ends of the pieces, can be unscrewed and replaced with others of a different colour or texture if desired. “We like movement, versatility and interchangeability in the pieces as they make jewellery more fun and easier to wear with different outfits,” says Haig.

Despite the fact that Avakian has many playful collections, Edmond and Haig’s approach to jewellery design is rather serious. They strive to create pieces that “can easily be worn during the day or for an elegant evening – the idea is to create jewellery which is comfortable to wear”. “We always pay attention to detail, especially in the finishing of the pieces, giving it a special touch,” said Haig and as if confirming his words he showed me rings from the Cache collection. Each one is encrusted with precious stones, not just on the outside but also on the inner part of the shank, forming a silk-like surface.

Avakian Jewellery

Avakian Jewellery

 Avakian Jewellery

Avakian Jewellery

Fine jewellery is not the only speciality of the House, in 1998 Avakian introduced its first watch collection, Tzarina, named after the Russian word for princess. Since then the collection of timepieces significantly expanded. But this is something I will tell you about in my next article.

Melanie Georgacopoulos: New Mop Shell Collection

continue reading

The Psychology of Jewellery: Why We Adorn Ourselves

From the earliest civilisations to contemporary fashion catwalks, humans have consistently sought ways to embellish themselves. Transcending mere decoration, jewellery acts as a powerful expression of identity, status and emotion. Whether it's the intricate beadwork of ancient societies or the minimalist designs of modern artisans, our choices in adornment reveal layers of personal and cultural narratives. 

by Claire Roberts

Gem Renaissance: Insights from GemGenève Talk on Coloured Gemstones

One of the most exciting shifts in the world of fine jewellery today is the growing appreciation for coloured gemstones, especially those beyond the traditional “Big Three” of rubies, sapphires, and emeralds. So, when the organisers of GemGenève invited me to do a talk, I instantly knew what subject I was going to touch upon - the rise of colour.

by Katerina Perez

Epic Evolution: Miseno Launches the Arco Collection to Celebrate a Fabulous Decade 

Miseno is a brand that I have followed closely over the past decade, largely because of its intriguing transatlantic flair that blends Italian heritage and craftsmanship with the pizzazz of New York City. Now, I am pleased to present to you my highlights of the new Arco High Jewellery collection.

by Katerina Perez

A Dazzling Decade: Celebrating the 10th Anniversary of Yi Collection

Since celebrating the 10-year anniversary of KaterinaPerez.com in 2023, I will admit to having a newfound appreciation and respect for any fellow business owner who reaches this incredible milestone. It’s certainly not easy to maintain high levels of creativity and craftsmanship, especially with a consistent focus on quality and professionalism.

by Sarah Jordan

Wow Effect: Exploring the Inventive Artistry of Serafino Consoli

While doing my duties as a judge at the 2025 Inhorgenta Awards, I had the pleasure of being introduced to the team behind Serafino Consoli – an Italian brand with a unique claim to fame in the high jewellery world.

by Katerina Perez

Essential Passion: The Artistic Pursuits of Mehragin Rahmati of Mergin Jewelry 

Jewellery can be thoughtful and insular, or it can be effusive and bold and full of character that makes it stand out from the crowd. I would put the colourful and charismatic creations of Mehragin Rahmati into the latter camp because of their attention-grabbing silhouettes, unusual structures, and confident mineral palettes.

by Katerina Perez

Maestro of Masterpieces: New High Jewels in the Picchiotti Classics Collection

Ahead of this year’s Couture show in Las Vegas, Picchiotti has revealed some of the latest additions to its high jewellery repertoire, including new suites in the Picchiotti Classics collection.

by Sarah Jordan

Reasons to Shop: The Moments that Demand a Fresh Jewellery Purchase 

There's no rule that says you need a reason to buy a new piece of jewellery, but sometimes, a little encouragement makes the decision even more exciting. If you're looking for a playful excuse to book your next jewellery appointment, here are a few irresistible reasons to treat yourself.

by Hirshi Sujanti

Grecian Glamour: The Designers Preparing to Spotlight Greek Style at JCK Las Vegas

Recently, I was approached by the organisers of a special ‘Greek mission’ who are supporting 11 independent designers and brands as they seek to make their mark at JCK Las Vegas from June 6-9, 2025. Below, I would like to introduce you to each of the businesses participating in this incredible showcase of Greek design, ingenuity and craftsmanship.

by Katerina Perez

Naked Attraction: The Best High Jewellery of the 2025 Cannes Film Festival 

Here’s a rundown of some of the best Cannes jewellery looks from the 78th annual festival (May 13-24), including the likes of Dakota Johnson, Angelina Jolie, and Natalie Portman, who all make striking jewellery the star of their ensembles

by Sarah Jordan

In Conversation: Discussing Paraiba — The Legacy of a Color with Vogue Singapore

The conversation encouraged both myself and Kevin Ferreira, my co-author, to recall exactly why we wrote Paraiba: The Legacy of a Color, and I am pleased to share more with you below

by Katerina Perez

Semi-Precious vs Precious Gemstones: Why the Old Labels No Longer Work

I can’t count the number of times I’ve asked myself: what really sets so-called precious and semi-precious stonesapart? Is it their rarity? Colour? Durability? Value? Or is it simply tradition—an outdated hierarchy we’ve inherited without question

by Katerina Perez

Latest Stories

Add articles and images to your favourites. Just

Legacy of Love:The Dreamlike Jewels of Emirati Designer Mariyeh Ghelichkhani

During our meeting in Dubai, we spoke about the importance of family, the sweetness of finding joy through creativity, and the ability to translate dreamy visions and deep feelings into wearable pieces…

by Katerina Perez

Jewels Katerina Perez Loves

Continue Reading

Writing Adventures:Co-Authoring the Book

Paraiba: The Legacy of a Color

by Katerina Perez

Jewellery Insights straight to your inbox

Style Guide

By using this website, you agree to the storing of cookies on your device to enhance site navigation, analyze site usage, and assist in our marketing efforts. View our Privacy Policy for more information.